This page is about sharing ideas and techniques for writing. These are approaches that I use when I'm working and when I run workshops in schools.
This is insider stuff. It may not be world-shattering, but it's real.
I've started with ways of creating characters - an essential part of story writing and very useful in some sorts of poetry.
A ROSE IS A ROSE IS A ROSE IS A ROSE
Except when it's a goldfish…...
Names can be a great help in building a character. When I wanted to write about a sort of geeky kid who just happened to see monsters - mainly because he was the sort of boy who looked in grungy places where other people didn't look - I decided to call him Cheesy.
I liked the name because it makes me think about smelly feet, wide grins and groany jokes - all of these thing helped me invent Cheesy. His best friend is called Zoom. What does that tell you about her? What sort of characters do you think these are?
Cyril Beak. Jim Pepper. Amanda Bottomley-Smythe. Alice Crumb. Edwin Dark. Bucket Arrowsmith. Prunella Droop. Susie Balloon. Frank Spit. Rosie Baker. Butterfly Lil. Big Tom Tompkins. Beaver Edwards. Lazarus Fig.
Choose a name, then think about the person that fits that name. You could start by drawing a cartoon of them, then imagine them doing something that's absolutely typical of them - maybe Rosie Baker is icing cakes! Try to think of something they'd say - and how they'd say it. Then put them in a situation. (Stories happen when characters react to situations.)
Let's put jolly Rosie Baker into the graveyard when a vampire rises….
"Goodness me!" Rosie said. "You do look pale. What you need is a nice cup of tea and a slice of my home-made battenburg. That'd put the colour back into your cheeks!" "But I'm undead," the vampire moaned, "you're supposed to be terrified." "Terrified?" Rosie smiled. "Of you? Why look at you - you're as thin as a rake and your face is as pale as paper. You couldn't knock the skin off a rice pudding. Now are you coming home with me or not?" Meekly the vampire nodded and followed her through the dark cemetery….
Now you have a go. Choose a name and a situation (from the column on the left) and write away! Once your character reacts to the situation (which may need explaining - or not!) your story will begin to tell itself. Watch out it doesn't run away with you...
ONE MAN'S MEAT IS ANOTHER MAN'S PET HAMSTER…
[Apologies to those of a sensitive nature - just one question: if you're that sensitive how did you get as far as this page?????]
Look at a story you know well - your own or someone else's. Now see what happens if you change the main character. What would have happened if Frank Spit, or Lazarus Fig had met the vampire instead of Rosie Baker? Imagine a large puddle of mud spilling out from a building site. It's blocking the whole pavement next to the main road. The road is too busy to step into or cross. You have to walk along the pavement. How do you feel about the puddle if you are : A well-dressed business person off to a vital meeting? A wobbly old person afraid of falling, but in need of your pension? A four year old with new wellies? A dog? Wearing your best trainers? A photographer? A workman on the site? Someone from the council? Imagine what each of these people would think/feel/say. Read out some of your phrases. Can your listeners tell which of the characters is speaking? Can you write a story/script using some of these characters? How would you end it?